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- From: "Bullard, Claude L (Len)" <clbullar@ingr.com>
- To: KenNorth <KenNorth@email.msn.com>
- Date: Tue, 11 Jul 2000 08:17:36 -0500
It can work both ways and as in most developments,
depends on the humans to do the right thing. We
have to be careful of developing a culture in which
it is ok for one group to do to another that which
they would not have done to themselves.
XML could make it devilishly easy to take all
of the books about XML, encode them after buying
one legal copy each, then make them available from a
central site, say one of the oil platform countries
that sit in international waters complete with
full XLink cross-referencing for ease of use.
Why?
1. We bought a copy.
2. We know the cost of buying a book far
exceeds the cost of producing it (so they say).
3. This is information people need and
have a right to at their convenience.
For example, students can't afford the XML books.
4. We can do a far better job of presenting the
information than the authors did and in a better
medium.
5. We will make the authors even more famous.
6. Authors should make their money from touring
and lecturing, not selling books.
7. Information wants to be free.
See how that will work. Pretty soon, no publisher
will accept XML manuscripts. After that, most good
writers will quit writing them. After that, the
only way to get an explanation of XML Schemas will
be the courtesy of folks like Roger Costello
("i have always depended on the kindness of
strangers") or trying to read the specification.
Anyone remember the days when your choices for
SGML were ISO 8879, Dr Goldfarb's reference, or
Martin Bryan? Anyway, the US Senate is having
hearings today on this subject of digital downloading.
Let's hope the baby doesn't go out with the bathwater
because I do want to keep enabling people to download
my music for free. It's fun, but I don't hire
producers, manage a tour, pay other musicians,
have to bribe radio station program managers,
press CDs and distribute them without a guarantee
of repayment (it is very difficult to collect
for this), and so forth. Like Roger,
I do it because I can. BTW, an album
can take a year to four years to record and
if you have to pay for the studio time, costs
a million plus. The artist pays for all of the
above via recoupment from royalties. This
is where the digital medium can be a blessing
and we are very much aware of that.
len
http://fly.hiwaay.net/~cbullard/lensongs.ram
Ekam sat.h, Vipraah bahudhaa vadanti.
Daamyata. Datta. Dayadhvam.h
-----Original Message-----
From: KenNorth [mailto:KenNorth@email.msn.com]
> The music industry is protecting the rights of its
> members but note that lawsuits are being
> initiated by the artists.
I've heard and read more than one artist being interviewed about MP3 and
Napster. Their viewpoint has been pretty consistent. They feel they have a
right to be paid for their effort. It often takes years to develop talent,
and weeks to write and record an album. There are, of course, other
musicians who applaud MP3 because they can become known by giving away the
product of their talent (or lack thereof).
People who write music, software, or books should have the choice whether
they want to work for free or be paid. We should be cautious about any laws
or technologies that usurp that right.
Let's hope XML doesn't develop a reputation as being primarily a technology
for ripping off intellectual property.
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